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![]() ![]() A victim of a centuries long curse, on his 30th birthday, he will die, unless the 2 pieces of a sonata are brought back together. He knows that he cannot express his feelings for her because he knows his life will end on the Winter Solstice. He has watched Sofia from a distance, working for her parents and falling in love with Sofia at first sight. She is gifted the dagger and bestowed the gifts from Diana herself.Īrmend is a man on a mission, to save his own life. In this generation, the chosen one is Sofia. Ever generation, one Strega is personally chosen by Diana to possess the dagger. ![]() The Diana dagger has been passed down to each generation of Messalina's descendants. Diana gifted Messalina the Diana Dagger, "a beautifully-crafted blade with a pure gold crescent shaped hilt". Messalina emerged from the heartbreak a strong and wise woman. Sofia is a Strega witch and direct descendant of Messalina, a dear friend of the Goddess Diana, who was left broken-hearted by Vulcan. I honestly cannot recall any other book I've read that was as authentic in its representation as Solstice. Solstice is such a genuine and authentic representation of the Stega tradition, it absolutely blew me away. ![]() ![]() ![]() She has set up Spindle Cove where she can rescue young women from the patriarchy - she gets sickly girls/women, girls/women who no man wants (for instance, Kate has a huge port-wine stain on her face), girls/men who are separated from their husbands, and girls/women who are too man-hungry and have to taken away to this Cove so I guess they don't get pregnant before they are married. She always wears gloves to hide her scars. Susanna was made sick when she was a teenager due to aggressive bloodletting. ![]() I would just shrug this off as me being 'not in the mood' and given this another try, but unfortunately this is my second attempt in two months and I felt the same both times. And I can tell Dare is trying REALLY HARD here. I should delight in Dare's little protofeminist who sets up a haven for girls/women that's managed to set itself outside of the patriarchy. And spent the whole time wondering what was wrong with me. ![]() Strangely enough, Susanna had never known it to work that way. If a woman's intellect was in any way analogous to her undergarments, men should thrill to see it revealed. ![]() ![]() ![]() In addition, Nick Simmons–Gene’s son, budding co-star on Gene Simmons Family Jewels, the top-rated A&E reality show, and the creator of the upcoming Platinum Studios comic Skullduggery–has three short prose stories included in the TPB. The TPB includes the original intros and outros written by the book’s host, Gene Simmons, as well as a new collection introduction from Simmons. Initially run as a three-issue quarterly, the series has been critically acclaimed by fans and reviewers alike, both for the quality of the stories and the art. “The stories range from gore to psychological thrillers to everything in between,” says Tom Waltz, editor at IDW Publishing. Released by IDW Publishing (the anthology brings readers the best in horror, fantasy and science fiction. San Diego, CA (April 7, 2008) – Rock legend Gene Simmons has taken the stage in an all-new capacity–as the mysterious master of ceremonies for his own horror anthology, Gene Simmons House Of Horrors. ![]() ![]() It’s entirely possible that Kipling’s formula was subconsciously used as a template by Walt Disney and his creative team for virtually all of their animated feature films, and many of their short films. The Jungle Book was published only seven years before Walt Disney was born and was a bedside staple for boys and girls of his generation. He may not have been the first to combine anthropomorphism and song in children’s literature, but he was the most prominent of the 19th-century authors to do so. What’s more, Kipling was a pioneer in anthropomorphic storytelling, especially in The Jungle Books and Just So Stories. His jungle was always intended to be full of music. The original songs in the ’67 film were written by the Sherman Brothers and Terry Gilkyson, and are never in danger of seeming superfluous to the film, as Kipling included songs in every story of The Jungle Books, as well as lyrical interludes between stories. ![]() ![]() Kipling had a great love of verse and liberally incorporated original poems and lyrics into most of his long list of short stories. ![]() Those who have read much of The Jungle Books, or any of Kipling’s short story collections, will notice a pattern that is eerily familiar to fans of Disney’s animated filmography. How Rudyard Kipling’s The Jungle Book helped make the modern Disney, Part 2 In the second part of his essay on how Rudyard Kipling and ‘The Jungle Book’ influenced the modern Disney, Parker Lancaster takes a look at anthropomorphism, CGI and the success of previous adaptations… ![]() |